Steven Pressfield (@SPressfield), a former Marine and graduate of Duke University, ended up being an overnight success as an author after 30 years of abject failure. Recognizing the omnipresence of “Resistance,” the interior force of self-sabotage he explained in The War of Art, has saved his own creative life and has assisted numerous others having a hard time to discover their creative calling. Stevens novels of the ancient world, consisting of the nonfiction The Warrior Ethos, are needed reading at West Point, Annapolis, and in the Marine Corps. He resides in Los Angeles.
Illustration via 99designs
Resistance with a capital R, that force of self-sabotage, will attempt to stop you as a writer or an artist or anyone from attaining your best work, from following your calling, will try to sidetrack you, undermine your confidence, make you procrastinate, make you give up, make you provide into fear, or, on the other hand, make you such a perfectionist that you invest all the time on one paragraph and you accomplish absolutely nothing. The principle of little successes, or of a routine, is to help you overcome that Resistance.
— Steven Pressfield
His new book is A Man at Arms, an epic legend about a hesitant hero, the Roman Empire, and the increase of a new faith.
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Steven Pressfield (@SPressfield), a former Marine and graduate of Duke University, ended up being an overnight success as a writer after 30 years of abject failure. Steven Pressfield.
After 30 years of what Steven calls “abject failure,” Steven published his first novel when he was in his early 50s. The writing process that works well for Joyce Carol Oates most likely wouldnt work at all for Steven. What compelled Steven to write his most current work of historical fiction, A Man at Arms?
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Want to hear an episode with another respected wordsmith? Provide an ear to my discussion with Joyce Carol Oates in which we talk about innovative processes and challenges, the delight of revision, the fact about “final” drafts, the relationship in between quantity and enduring quality of ones work, writing for contemporaries over posterity, and far more.
Throughout difficult times, Steven lived behind a house for $15 a month and befriended a backwoods cat. How did this feline become his role model, and what scenarios led to their relationship?
Stevens theory about halfway houses and individuals youll find there (which for a time included him). 14:21
From a resume more eclectic than many, what job sticks out as being particularly developmental for Stevens eventual pivot to author? 15:55
Common examples of Stevens self-sabotage in the working world, and how a caring mentor assisted him up and shook him out of this devastating pattern. 18:18
After 30 years of what Steven calls “abject failure,” Steven published his very first book when he was in his early 50s. Where did he pick up his wordsmithing skills, and how did make the transition from blue-collar truck driver to successful author? 23:11
What did Steven get from his time as a copywriter worldwide of advertising? 26:25
How does the heros journey, as created by Joseph Campbell, differ from what Steven considers to be the artists journey? 31:39
Throughout his own heros journey, what did Stevens refusal of the call appearance like compared to that of other significant figures from modern-day and ancient folklore? 37:16
How did Steven go from a refusal of the call that ended in an act of self-destruction and an incomplete novel to becoming a prolific author? 41:07
Ending up a very first novel is a significant accomplishment, however getting it published is another thing altogether. How did he make it occur?
How Stevens morning regular offers him the momentum to compose with what his good friend Randy calls a “little successes” technique.
What does Stevens exercise regular appear like?
The writing process that works well for Joyce Carol Oates probably wouldnt operate at all for Steven. How should someone consider developing a regular for their own creative process? 54:15
Recommended books on the writing procedure– including one that integrates the editors state of mind to keep things on track.
Stevens advice for overcoming “Resistance with a capital R” when we feel like anything we develop today will never ever match (let alone exceed) what we developed the other day.
Why does Steven believe Resistance with a capital R exists? What purpose could it potentially serve?
What is a shadow profession, and whats Stevens recommendations to someone who finds themselves in one (and wants to acknowledge it)?
What compelled Steven to compose his latest work of historical fiction, A Man at Arms? For that matter, what obliges Steven to write fiction? 1:23:10
What differentiates the stories that come quick and easy from the hard slogs, and what might I acquire from testing the waters of fiction writing?
Fear-setting from an Israeli fighter pilots perspective. 1:32:59
What is the yetzer hara?
How should I best prepare to “go huge” as a hopeful fiction writer? 1:37:36
What would Stevens billboard state?
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