Dustin Yellin (@dustinyellin) is an artist who resides in Brooklyn, New York, and is the creator and director of Pioneer Works, a multidisciplinary cultural center in Red Hook, Brooklyn, that develops community through the sciences and arts to create an inspired and open world. He and his unbelievable work have been included by companies and media consisting of The New York Times, Artforum, Vanity Fair, and TED.
Drawing on both modernism and the spiritual tradition of Hinterglas painting, Yellin mostly resolves an unique form of three-dimensional photomontage, in which paint and images clipped from different print media are ingrained within laminated glass sheets to form grand pictographic allegories, which Dustin calls “frozen movie theater.” These totemic and kaleidoscopic works frequently plumb the history and fate of human consciousness within the Anthropocene (see examples here and in the slideshow below in this post).
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” I dont worry about inspiration as much as system overload.”
— Dustin Yellin
Dustins art has been displayed at or with the Amorepacific Museum, Brooklyn Museum, City Museum, Colección Solo, Corning Museum of Glass, The Kennedy Center, Lincoln Center for the Performing Arts, Museo Del Palacio de Bellas Artes, SCAD Museum of Art, Tacoma Museum, and Creative Time, among lots of others. He holds an honorary Doctor of Humane Letters degree from the Savannah College of Art and Design.
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P.S. See the slideshow listed below for some of his incredible work. All images are thanks to the artist and are shown approval.
Dustin Yellin, Studio Installation, View I 2020
Dustin Yellin, Studio Installation, View II (2020 )
Dustin Yellin, Studio Installation, View III (2020 )
Dustin Yellin, Politics of Eternity Installation, View (2020 )
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Dustin Yellin, Politics of Eternity, Detail I.
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Dustin Yellin, Lincoln Center Installation, View I (2015 ).
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Want to hear an episode with another artist/explorer who also believes in collaboration over competition? Be sure to listen to my discussion with David Yarrow in which we go over breaching terrific white sharks, being spat on by John McEnroe, FIGJAM, ghost towns, capturing Diego Maradona in his aspect, and much more.
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Why did self-described late-bloomer Dustin go hitchhiking around New Zealand, Australia, and Thailand after dropping out of high school, and what did it expose him to for the first time in his life?
Where did Dustin get his entrepreneurial hustle?
Who was the mad physicist Dustin fulfilled upon returning to Colorado from his journeys abroad, and what did he discover from him?
How did Dustin begin developing his own art, and what has he obtained from the process? In what methods do science and art link for him?
How did Dustins Altered States-adjacent experiences in Colorado lead him to New York City, and how did he make ends meet when there?
How Dustins natural hustle influenced marketing his art like “an afflict” to turn it into a feasible income over time.
On The Crack-Up and Dustins need to rescue Zelda Fitzgerald.
Was Dustins Crack-Up-documented psychotic break precipitated by something specific, and has he ever presumed to the shore of mayhem and psychosis that hes frightened himself?
In Dustins estimate, what makes a great writer, and who does he think about to be outstanding in this field?
Has Dustin found anything beyond hallucinogens to broaden his minds aperture to viewing more of the surprise world?
How has Dustin been fortunate enough to not only make it through, but thrive while tapping into the often deadly currents of chaos?
What are the innovative advantages of working from an anti-competitive angle, and what does this appearance like in the real life?
Why doesnt Dustin fret about finding inspiration– and what does he feel is a more legitimate concern?
How does Dustin alleviate the effects of system overload?
Dustin is a film enthusiast. Here are some of his leading suggestions.
What is Pioneer Works, and how has it evolved in time to become what it is today?
How did Dustin secure the massive funding needed to grow Pioneer Works beyond its “initial shithole” beginnings?
Dustin is a manic artist, however is he likewise a manic service manager? Maybe the secret remains in thinking of Pioneer Works as an art piece.
What keeps Dustin tethered to the objective of progress– especially when hes feeling a bit overloaded?
How did Dustin make the transition from being an artist who would hand out his art for “direct exposure” to an artist who can sell his art for sufficient to take everybody he knows to Sizzler thousands of times over?
The 3 questions Dustin asks himself about any new art piece he creates.
What are psychogeographies, and what trials and styles caused their development?
What are some of the common mistakes Dustin sees striving artists making?
What would Dustin do if he found himself and his studio all of a sudden insolvent?
Dustin describes his latest, almost-bankrupting development: The Politics Of Eternity.
Checking out how the death of one of Dustins mentors impacted the course of his life, and what we might gain by analyzing our own thoughts on death.
A question on the lighter side: how did Dustin wind up dancing in a Jay-Z video?
What would Dustins signboard state?
Whats Dustins current task– involving a supertanker– about?
What does Dustin view as the worth in making a day-to-day effort to wake up with a mental blank slate? Does he find it challenging, frustrating, invigorating, or something else?
Keep in mind from the editor: Timestamps will be included quickly.
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